Photography · Film & Digital

Pictures that grow
quietly, like an ink garden.


Ink Garden is a small studio photographing people among plants — sittings made slowly, in soft daylight, with room for the subject to settle before the shutter does.

Sittings take place in glasshouses, walled gardens and one north-facing room with very good light.

White anemone flowers catching low sunlight in a summer meadow
Meadow study — 120mm, natural light
  • PortraitsSittings for people, alone or together
  • BotanicalStill life for growers and makers
  • EditorialCommissions for print and story work

Selected work

A year of sittings, hedgerows and slow afternoons

A short edit rather than a full archive. Every frame below came from a commission; the longer set travels as a printed portfolio.

01 — Portfolio

Close study of a pale pink garden rose opening in shade

Rosarium, Study II

Botanical
Portrait of a person outdoors turning towards warm afternoon light

Field Notes, Ilse

Portrait sitting
Dense green foliage layered in soft overcast daylight

Green Room

Botanical
Relaxed head and shoulders portrait of a smiling person in daylight

Sitting No. 41

Portrait sitting
Orange and yellow flowers massed together in a late summer border

Border, Late August

Editorial
Mist drifting between tall trees at the edge of a quiet woodland

Hollow, First Light

Editorial commission

Sessions

Three ways to work together

Each begins the same way — a conversation about light, season and what the pictures are actually for. Scope is quoted per commission after that.

02 — Services

01

Portrait Sitting

An unhurried session for one person or a small group, made outdoors in a garden or indoors by a north window. No posing drills — mostly walking, sitting and talking.

Length
Around two hours
You receive
Thirty edited frames, web and print sizes
Best for
Personal portraits, family, new work headshots
02

Botanical & Still Life

Studio and on-site photography for growers, florists and makers. Single stems, arrangements and the tools of the trade, shot on a consistent set so a catalogue holds together.

Length
Half or full day
You receive
A styled set with matched colour and cut-outs on request
Best for
Nurseries, florists, product and packaging
03

Editorial Commission

Longer-form picture stories for magazines, books and independent publishers — a place, a season or a person followed across more than one visit.

Length
Agreed per story, often several days
You receive
A sequenced edit with captions and licence terms
Best for
Features, books, brand journals

How a sitting runs

Four steps, no surprises

03 — Process

Step one

Enquiry

Send a note with a rough month in mind. A reply usually follows within two working days, with availability and a quote.

Step two

Planning

We choose a location and a time of day for the light, then agree what should be in frame and what should stay out.

Step three

The sitting

Film and digital run side by side. Nothing is rushed, and there is always a pause halfway through.

Step four

Delivery

A private edit arrives for selection, then finished files follow. Prints and hand-bound sets can be added.

Portrait of the studio photographer standing in soft window light

The studio

I photograph the way a garden is kept — patiently


Ink Garden began in a borrowed greenhouse with one camera and a broken tripod. It is still deliberately small: one photographer, a handful of commissions a month, and enough time on each of them to wait for the weather to turn.

Most sittings happen within a morning's travel, though editorial work goes further. Film is developed by hand, which is why an edit takes a fortnight rather than a night.

“The best frame is usually the one after everyone forgets the camera.”Founder & photographer

Questions

Asked before most sittings

04 — Details

How far ahead should I book?

Garden work follows the season, so late spring and early autumn fill first. A month or two of notice is comfortable; short-notice dates do occasionally open when the weather moves a shoot.

What happens if it rains?

Overcast light is welcome and flat drizzle is often better than sun. If conditions make the location unworkable we move to the indoor set or reschedule at no extra cost.

Can you travel to my location?

Yes. Sittings within a morning's travel carry no surcharge; anything further is quoted with travel included so there is one figure to approve.

How are the pictures licensed?

Personal sittings come with unlimited private use. Commercial and editorial commissions are licensed by use and term, written plainly in the quote before we begin.

Enquire

Tell me about the pictures you need


A few lines are plenty. If you know the month, the place or simply the feeling you are after, that is enough to start with.

  • Replies usually within two working days
  • No obligation — a quote first, decisions later
  • Dates are held for seven days once agreed
Your note goes straight to the studio inbox and is never shared.